MI Group Seminars

Tuesday Nov 22 2005
Xenakis' Keren: A Semiotic Music Analysis using Multiple Viewpoints
Christina Anagnostopoulou
School of Music and Sonic Arts Research Centre
Queen's University 
Belfast

Monday Jan 23 2006
The Okapi system and Music Information Retrieval
Andy MacFarlane
Department of Information Science
City University 
London

Tuesday Feb 28 2006
Expectation in Melody: The Influence of Context and Learning
Marcus Pearce
Department of Computing
Goldsmiths College
London

Monday July 10 2006
Issues in Formalising Music - Transformations, Parametric Profiles, Viewpoints
Klaus Frieler
Univerisity of Hamburg

Wednesday July 12 2006
The MetaMuse Project
Tim Crawford
Department of Computing
Goldsmiths College
London

Thursday September 7 2006
Stylistic Modelling Techniques in Composition and Interactive Performance
James Forth
Royal College of Music
London

Tuesday Jan 23 2007
"Computational ethnomusicology"
Polina Proutskova

Thursday February 22 2007
Introducing the Mazurkas Project
Nicholas Cook and Craig Sapp
Royal Holloway, University of London

Wednesday March 21 2007
Last.fm: how to organize digital music in a large social network
Norman Casagrande
Last.fm

Wednesday March 28 2007
Discovering hierarchies of parallelisms in music
Soren Tjagvad Madsen
Austrian Research Institute for Artificial Intelligence

Tuesday May 22 2007
A Realtime Music Analysis Framework
John Ibbotson
IBM Emerging Technology Services, Winchester

Wednesday May 23 2007
An interval cycle-based model of pitch attraction
Matthew Woolhouse
Centre for Music & Science, University of Cambridge, UK

Wednesday Oct 17 2007
A day in the life of Sibelius - how we make (and keep on making)
world-class software
David Harvey
Chief Technology Officer of Sibelius Ltd.

Wednesday Nov 14 2007
Towards Schenkerian Analysis by Computer: Deriving the
Harmonic-Contrapuntal Structure of Music Automatically
Alan Marsden
Lancaster Institute for the Contemporary Arts
Lancaster University, UK

Tuesday Nov 20 2007
Development of a meta-model for musical analysis
Ruben Hillewaere
Computational Modeling Lab
Department of Computer Science
Vrije Universiteit Brussel

Thursday April 24 2008
Information theory and music
Vanessa Hawes
School of Music
University of East Anglia

Tuesday Jul 15 2008
Computational Analysis of Music + Music Performance
Fernando Gualda
Sonic Arts Research Centre
Queen's University Belfast

Thursday Aug 21 2008
Rameau: a system for automated harmonic analysis
Pedro Kroger
Departamento de Composicao, Literatura e Estruturacao Musical
Escola de Musica da UFBA
Salvador, Bahia, Brasil

Wed Sep 3 2008
Novel User Interfaces for Audio Retrieval and Processing
Sebastian Heise, Michael Hlatky, and Joern Loviscach
Digital Media Program, Hochschule Bremen, Germany

Friday Oct 24 2008
Melodic, Approximate Searches in Medieval Music
Ian Knopke
Goldsmiths College
London

Monday Dec 15 2008
The ProSeMus Project: from Expressive Performance to Cognitive State Decoding
Rafael Ramirez
Music Technology Group
Universitat Pompeu Fabra Barcelona

Thursday Dec 18 2008
Computational Methods for Computer-Aided Orchestration
Gregoire Carpentier
IRCAM - Equipe Representations Musicales
Paris FRANCE

Tuesday Apr 21 2009
Polynomial Contour as a Core Feature for Representing Melodies
Daniel Mullensiefen
Intelligent Sound and Music Systems group
Centre for Cognition, Computation and Culture
Goldsmiths College

Fri Dec 4 2009
Development of Techniques for the Computational Modelling of Harmony
Ray Whorley
Intelligent Sound and Music Systems group
Centre for Cognition, Computation and Culture
Goldsmiths College